A U.S. sailor (Scott Brady) docks in London and in three days tries to save his brother from the gallows.
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Ren Amari is the driven inventor of a revolutionary new drug. OtherLIfe expands the brain’s sense of time and creates virtual reality directly in the user’s mind. With OtherLife, mere seconds in real life feel like hours or days of exciting adventures. As Ren and her colleagues race around the clock to launch OtherLife, the government muscles in to use the drugs as a radical solution to prison overcrowding. They will create virtual cells where criminals serve long sentences in just minutes of real time. When Ren resists, she finds herself an unwilling guinea pig trapped in a prison cell in her mind. She must escape before she descends into madness, and then regain control of OtherLife before others suffer the same fate.
Mickey, a free-spirited New York cabbie, and Francis, a materialistic Wall Street stockbroker, are extremely competitive and confused about women as a result of their father’s influence. Though they disagree about everything, they have one thing in common: Mickey’s ex-fiance Heather is Francis’s secret love. Though both brothers have beautiful wives, Heather triggers their longtime sibling rivalry
An idealistic rookie cop joins the LAPD to make ends meet while finishing law school, and is indoctrinated by a seasoned veteran. As time goes on, he loses his ambitions and family as police work becomes his entire life.
Toward the end of his life F. Scott Fitzgerald is writing for Hollywood studios to be able to afford the cost of an asylum for his wife. He is also struggling against alcoholism. Into his life comes the famous gossip columnist.
Sean Thornton has returned from America to reclaim his homestead and escape his past. Sean’s eye is caught by Mary Kate Danaher, the beautiful spinster and younger sister of ill-tempered “Red” Will Danaher. The riotous relationship that forms between Sean and Mary Kate, punctuated by Will’s pugnacious attempts to keep them apart, form the plot, with Sean’s past as the dark undercurrent.
Henry Van Cleve presents himself at the gates of Hell only to find he is closely vetted on his qualifications for entry. Surprised there is any question on his suitability, he recounts his lively life and the women he has known from his mother onwards, but mainly concentrating on his happy but sometimes difficult twenty-five years of marriage to Martha.
Tortured by the memory of a childhood trauma, a woman returns after a decade to her family’s fly-in hunting lodge to assist her siblings with their dying father, only to find herself stuck in a life threatening nightmare.
An idyllic small town is rocked when Aubrey Fleming (Lindsay Lohan), a bright and promising young woman, is abducted and tortured by a sadistic serial killer. When she manages to escape, the traumatized girl who regains consciousness in the hospital insists that she is not who they think she is and that the real Aubrey Fleming is still in mortal danger.
May Oster, played by Athena Lebessis, is a beautiful, pensive, somber woman in her mid twenties; a beautiful woman that discovers her boyfriend’s bloody scarf in her apartment following a black-out episode. This unearthed white scarf covered in crimson drives May to attempt suicide. May is taken to a psychiatric ward under the care and influence of Dr. Ballard, a fifty-eight year old psychiatrist/acclaimed author, played by Eric Roberts. May is immediately thrown into seclusion. Detective James Harding, played by Jake Busey, appears to question May about a horrific murder. This questioning thrusts May into narrating an in-depth story about an unnamed woman’s involvement with unsavory characters leading to multiple murders. Will May regain her sanity, restore her normal life and unravel the mystery of her true love? Only time will tell.
When Elliot, a brash 23-year-old living carefree in New York City, meets the sensible Mia and receives a damning diagnosis all in the same week, his world is turned completely upside down. But as their love blossoms amidst the chaos of his treatment, they discover that Elliot’s illness is not the real test of their relationship – it’s everything else.
Luke’s exultance at being selected for The Skulls (a secret society bred within the walls of a prominent Ivy League Campus) is soon overshadowed when he realises that all is ‘not well in Wonderland’. For The Skulls is a breeding ground for the future powerful and elite. It’s not only a far cry from his working class background, but it also hallows its own deep and dark secrets.