A group of suburban teenagers try to support each other through the difficult task of becoming adults.
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An adopted Irish American artist confronts her past when both sets of parents come together over a weekend for her to paint a family portrait.
In 1879, the British suffer a great loss at the Battle of Isandlwana due to incompetent leadership. Cy Endfield co-wrote the epic prequel Zulu Dawn 15 years after his enormously popular Zulu. Set in 1879, this film depicts the catastrophic Battle of Isandhlwana, which remains the worst defeat of the British army by natives, with the British contingent outnumbered 16-to-1 by the Zulu tribesmen. The film’s opinion of events is made immediately clear in its title sequence: ebullient African village life presided over by King Cetshwayo is contrasted with aristocratic artifice under the arrogant eye of General Lord Chelmsford (Peter O’Toole). Chelmsford is at the heart of all that goes wrong, initiating the catastrophic battle with an ultimatum made seemingly for the sake of giving his troops something to do. His detached manner leads to one mistake after another.
Jessica, the daughter of an impoverished apple farmer, still believes in Santa Claus. So when she comes across a reindeer with an injured leg, it makes perfect sense to her to assume that it is Prancer, who had fallen from a Christmas display in town. She hides the reindeer in her barn and feeds it cookies, until she can return it to Santa. Her father finds the reindeer an decides to sell it to the butcher, not for venison chops, but as an advertising display.
This harrowing war film is an epic dramatization of the first battle of World War II. The Battle of Westerplatte that began on 1 September 1939 will forever be remembered as the one that announced the beginning of the Second World War in Europe. Over one week, fewer than 200 Polish soldiers fought against heavy German bombardment and in the process came to symbolize the power of resistance. As the violence rages, a complex battle of a more personal nature plays out between two Polish commanders over how to best lead their men. Amid the bloodshed, they must ask themselves – should they fight until the last man standing or surrender in the face of overwhelming odds? What unfolds is a stirring exploration of the fight against the forces of tyranny.
It’s six o’clock and Emma Sheffield has a lot to do before sunset. But a domestic dispute with her husband Reed threatens to throw a wrench in the gears. As disagreements turn into accusations, Emma has precious minutes to lock her husband away before the monstrous thing they have kept secret begins to break free.
Newlyweds Nick and Suzanne decide to move to the suburbs to provide a better life for their two kids. But their idea of a dream home is disturbed by a contractor with a bizarre approach to business.
Shizuku lives a simple life, dominated by her love for stories and writing. One day she notices that all the library books she has have been previously checked out by the same person: ‘Seiji Amasawa’. Curious as to who he is, Shizuku meets a boy her age whom she finds infuriating, but discovers to her shock that he is her ‘Prince of Books’. As she grows closer to him, she realises that he merely read all those books to bring himself closer to her. The boy Seiji aspires to be a violin maker in Italy, and it is his dreams that make Shizuku realise that she has no clear path for her life. Knowing that her strength lies in writing, she tests her talents by writing a story about Baron, a cat statuette belonging to Seiji’s grandfather
Following a series of drug deals and murders, three criminals — Fantasia, Ray Malcolm and Pluto — travel from Los Angeles to Houston, finally arriving in a small Arkansas town to go into hiding. Two detectives from the LAPD, who are already on the case, contact the town’s sheriff, Dale Dixon, to alert him of the fugitives’ presence in the area. Underestimating Dixon, the criminals have no idea what they are about to face.
Man-eating body doubles and predatory party girls stalk the suburban streets of Melbourne in three taboo-defying tales dredged from the heads of Australian creative team Pleasant Productions. The collection opens with the traumatic story of an elderly lady who picks the wrong party to crash, moves to a fantasia about a practical joker and his disturbed doppelganger, and ties it all up with the tale of a guy looking for love at the Snuff Machine.
A German Marquise has to deal with a pregnancy she cannot explain and an infatuated Russian Count.
When Sam and his friend fall for the same woman, their friendship is put at risk.