From Iowa to Studio 54, this investigation into the rags-to-riches story of America’s first superstar designer uncovers the cautionary tale of an artist who sold his name to Wall Street.
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During the “Made in Germany” tour, Swedish director Jonas Åkerlund filmed two acclaimed Rammstein concerts in March 2012 – each for an audience of 17,000 at the Bercy Arena in Paris. In the resulting film (with 16 songs from the entire repertoire), Jonas Åkerlund takes a radically new approach to capturing the emotion and thrill of Rammstein’s live performance. Jonas Åkerlund: “We shot two nights in Paris, and we had 30 cameras, so that gives you 60 angles, plus we shot a dress rehearsal for close-ups. That gives you a massive amount of footage. This is a whole Rammstein-show, and I take the footage and cut it with the same precision that I would a 3-4 minute music video. Even with a big crew of editors, it took us over a year to nail down the edit. Looking at it now – that is the strength of this project. It really brings the show alive and shows what Rammstein is all about.”
A portrait of the writer and poet Steven J. Bernstein (aka Jesse Bernstein), one of Seattle’s most celebrated and troubled voices. His angry, surprisingly fresh, lyrical writings are about sensitive souls, drifters and drug addicts, people alienated by a society that refuses to understand them. Bernstein was an integral part of the legendary Seattle rock scene of the late 80’s and early 90s, and in 1991 was dubbed the ‘Godfather of Grunge.’
On April 2nd 2011, LCD SOUNDSYSTEM played its final show at Madison Square Garden in New York City. LCD Frontman James Murphy, disbanding one of the most celebrated and influential groups of its generation at the peak of its popularity, ensured that the band would go out on top with the biggest concert of its career. The instantly sold out, near four-hour extravaganza featured special appearances by Arcade Fire and Reggie Watts and moved the crowd of thousands to tears of joy and grief. SHUT UP AND PLAY THE HITS both captures this once-in-a-lifetime event with stunning visuals and serves as an intimate portrait of Murphy as he navigates the 48 hours surrounding the show. Woven throughout is an honest and unflinching conversation between Murphy and author Chuck Klosterman as they discuss music, art, aging, and the decision to call it quits while at the top of your game.
A comedy about depression, alcoholism, suicide and the other funniest parts of life. Gethard holds nothing back as he dives into his experiences with mental illness and psychiatry, finding hope in the strangest places. An adaption of his one-man off-Broadway show of the same name.
A storm grows, a sea otter pup is separated from her mother, and a young woman bound for adventure blows in to town. On a wild and windswept beach these lives collide and an entire species’ survival gets personal. Through Katie’s eyes you will see our playful pup, otter number 501, get an amazing second chance at life in the wild. As the two learn to navigate the opportunities and risks of life without anchor we see the incredible efforts people have undertaken to save sea otters from the brink of existence. Framed against the strikingly beautiful Monterey Bay coastline, the last stronghold of these iconic animals, Katie discovers just how serious this threat remains. Their adventure, unexpected as it was, illustrates what we can do to contribute to the growing movement to protect the southern sea otter…and ourselves.
In Rio de Janeiro, close to the mythical Maracana stadium, venue for the grand final of the World Cup 2014, we find an ordinary football field in the Sampaio neighborhood. There, football happens as a genuine expression of Brazilian culture. With the games on Sundays, the annual slum football league has 14 teams. Each represents the colors and rituals of their community. Geração x Juventude contest the final.
A story of two coalitions – ACT UP and TAG (Treatment Action Group) – whose activism and innovation turned AIDS from a death sentence into a manageable condition. Despite having no scientific training, these self-made activists infiltrated the pharmaceutical industry and helped identify promising new drugs, moving them from experimental trials to patients in record time.