Loving wife & mother Sarah is abducted by intelligent and forensically aware psychopath Nigel. The family and the police are subjected to a manipulation of the reality that surrounds them. Relating to the darkest side of the human character Flowerman also connects with both a spiritual aspect and a basic drive for survival.
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Elena (Kasia Smutniak) and Antonio (Francesco Arca) seem not to be made for each other. They are too different in terms of character, life choices, worldview, and the way they relate to others. They are total opposites. However, they are overwhelmed by a mutual attraction they’re trying hard to avoid; but to which they succumb to. This dramedy on relationships also gets a very credible performance from Paola Miraccione, who plays the tragic, albeit funny, character Egle.
Two sets of two college guys spend a spring break together in Fort Lauderdale, Florida. There they have lots of fun in and out of the sun.
In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.
When a millionaire wheeler-dealer enters a business contract with a Hollywood hooker Vivian Ward, he loses his heart in the bargain.
Se-jin was once a famous pro golfer. One day, Se-jin’s older co-worker died because his drunk driving. He loses his voice because of this car accident and goes to an island in order to take a rest. And this encounter starts to change Se-jin and people of this island.
Paris Fashion Week draws the usual bunch of people; designers, reporters, models, magazine editors, photographers. Follows the various storylines of these characters, centering around a murder investigation of a prominent fashion figure. Features an all-star cast.
Portrayal of the late Bradford playwright Andrea Dunbar. Andrea Dunbar wrote honestly and unflinchingly about her upbringing on the notorious Buttershaw Estate in Bradford and was described as ‘a genius straight from the slums.’ When she died tragically at the age of 29 in 1990, Lorraine was just ten years old. The Arbor revisits the Buttershaw Estate where Dunbar grew up, thirty years on from her original play, telling the powerful true story of the playwright and her daughter Lorraine. Also aged 29, Lorraine had become ostracised from her mother’s family and was in prison undergoing rehab. Re-introduced to her mother’s plays and letters, the film follows Lorraine’s personal journey as she reflects on her own life and begins to understand the struggles her mother faced.
A photographer struggling with memory loss discovers her pictures may indicate something sinister is hitting close to home.
It is 1943, and the German army, ravaged and demoralised, are hastily retreating from the Russian front. In the midst of all this madness, conflict brews between the aristocratic yet ultimately pusillanimous Captain Stransky and the courageous Corporal Steiner. Stransky is the only man who believes that the Third Reich are still vastly superior to the Russian army; however within his pompous persona lies a quivering coward who longs for the Iron Cross so that he can return to Berlin a hero. Steiner, on the other hand is cynical, defiantly non-conformist and more concerned with the safety of his own men rather than the horde of military decorations offered to him by his superiors. Steiner’s lack of respect results in a growing animosity between the two…
