A gut-wrenching, non-stop roller coaster ride through the hellish underbelly of inner-city America. A birthday celebration at an upscale restaurant sets in motion events that bring Sissy, her brother, Mikey, and friends, Kenny and Barbie, face to face with the macabre world of the Boneboys. Inspired by Jonathan Swift’s cannibalistic tale A Modest Proposal, the Boneboys are international predators who deal in human flesh – dead or alive. Their hunting grounds are the cities of the world.
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Three tales are told, each one increasingly terrifying. The first tells the story of a woman being stalked by an axe-weilding maniac. The second is the story of a man who pays the ultimate price for a beautiful head of hair. The final tale shows what it is like to see life through the eyes of a killer.
As a young child Luther The Geek or “The Freak” witnesses a band of men goading a geek (a man who bites off chicken’s heads and drinks the blood) into performing. In the ensuing hullabaloo, Luther bites his lip and likes the taste of blood. Flash forward some thirty years and a parole board is meeting to discuss Luther’s release. It seems the cheeky blighter has been murdering folk in the meantime. A dopey parole board trainee sides with the liberals and so Luther is unleashed, except now he has a special pair of customized metal teeth. Luther then proceeds to “bite the heads off” of many hapless folk until the tense ending. This movie is most notable for it’s bare dialog, whole stretches pass without a sound. Most of the audio is composed of Luther clucking insanely like a chicken.
A young man who lives with his mother and has never known his father, heads off to look for him. He finds a cynical and Machiavellian man who works as a publisher in Paris. After he attempts to kill him, he finds filial love thanks to his uncle.
Centers around the lives of Victoria, Zenobia, Clevon, and Phil — all friends approaching the age of 35 and struggling to build the families they’ve always dreamed of. While Zenobia (Nicole Ari Parker) is still looking for a man, Victoria (Tamala Jones) is married to a man who doesn’t want children. Clevon (Kevin Hart), meanwhile, is too geeky to get a woman, and Phil (Keith Robinson) is already married with children, but his wife is not very interested in being a mother. All four of them try to rectify their romantic lives and futures while their biological clocks tick away.